Mostrando entradas con la etiqueta "Spain". Mostrar todas las entradas
Mostrando entradas con la etiqueta "Spain". Mostrar todas las entradas

martes, 5 de octubre de 2010

Agustí Centelles en el Museo Picasso de Barcelona

Una exposición en el Museo Picasso de Barcelona seguirá la evolución del artista en París


viernes, 28 de mayo de 2010

Agustí Centelles - Catalan photographer

Agustí Centelles - Catalan photographer
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By h.b. - Jan 7, 2010 - 8:31 AM

The Barricade of Dead Horses in Calle Diputació in 1936 - Agustí CentellesThe Barricade of Dead Horses in Calle Diputació in 1936 - Agustí Centelles
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The war photographer is sometimes called the Spanish Robert Capa

The Catalan photographer Agustí Centelles is sometimes referred to as the Spanish Robert Capa, the legendary war photographer who left behind him in Paris when he fled Europe for the United States in 1939 what later became known as the ‘Mexican suitcase, a treasure trove of shots taken by Capa and others during the Spanish Civil War. The suitcase was in reality three cardboard boxes, which finally came to light in Mexico City after being lost for decades and were handed over in December 2007 to the New York International Photography Centre, founded by Capa’s brother, after years of negotiations.

Centelles had his own suitcase which he took with him when he fled Spain at the end of the Civil War. Its contents now form part of Spain’s historical memory as part of an extraordinary collection of 12,000 negatives and photographic plates which was recently sold to the Ministry of Culture for the sum of 700,000 € by Centelles’s children, including negatives which were discovered in a rusty biscuit tin, until then hidden from view, in their father’s laboratory just last year. The photojournalist’s heirs had received other offers, including from the Generalitat de Cataluña, and one from Sotheby’s which almost tripled the Ministry’s, but decided to accept the offer made by the state for a ‘greater diffusion’ of their father’s work. Their only condition for the sale was that the collection must remain together.

Although born in Valencia (in 1909), Agustí Centelles i Ossó moved to Barcelona at a very young age and there began his career in the profession which would later earn him the title of one of the fathers of photojournalism in Spain. He was one of the first photographers in the country to use a Leica camera, which he bought in the 1930s for the sum of 900 pesetas, a fortune at that time. The legacy now in the hands of the Spanish state is his visual testimony of the Spanish Republic, of the Civil War as an official photographer for the Republican government, and of his internment in a refugee camp in France.

Along with thousands of others, Centelles fled to France in 1939 just hours before Barcelona fell to Franco’s Nationalist forces, taking his photographs with him in a suitcase for fear that they would be used to identify people and carry out reprisals. He was to spend the next 7 months in refugee camps in France, first in Argelès-sur-Mer and then in Bram, where he continued to photograph the horrors of war, sleeping with his suitcase clutched in his arms to prevent it being stolen.

He was allowed to leave the camp in September 1939 and found work in a photographic studio in Carcassonne, living there in exile until 1944 when he walked back home over the Pyrenees after the French Resistance movement he had been working with on producing false passports was arrested by the Germans. He left his precious suitcase behind for safekeeping with the French family in Carcassonne who had taken him in, telling them not to hand it over to anyone but him.

The suitcase stayed there for more than two decades, and it was not until 1976, the year after Franco died, that Centelles was able to return to Carcassone to recover the photographs he feared would have been confiscated by the Franco regime. He spent the rest of his life on restoring, copying and cataloguing each and every one of the photos which had been hidden for so many years. Agustí Centelles died in 1985 at the age of 76, the year after his work was recognised with an award from the Ministry for Culture of the Premio Nacional de Fotografía.

Read more: http://www.typicallyspanish.com/news/publish/article_24609.shtml#ixzz0pCoq0ovp


(c) 2010 Agustí Centelles i Ossó, todos los derechos reservados.
(c) Hereus de Agustí Centelles i Ossó / VEGAP/ CDMH



Barcelona acogió la Exposición Internacional de 1929. La ciudad incorporó la arquitectura, el diseño y la fotografía en la vida cotidiana durante la segunda República. Las revistas 'Imatges', 'Mirador' y 'La Publicitat' se interesaron por el trabajo de jóvenes fotógrafos, como Agustí Centelles, que utilizaron los recursos estéticos de la nueva visión para realizar sus imágenes y aportar nuevos puntos de vista, nuevos acercamientos temáticos. Muchas de las 91 instantáneas que ayer se subastaron en Barcelona procedían de dichas publicaciones.
Del grueso de fotografías del reportero, natural de Valencia aunque se trasladó de niño a Barcelona, la casa Soler y Llach vendió un total de 54 por un valor de 56.000 euros. El director del departamento de fotografía de Soler y Llach, Juan Naranjo, explicó que la mayoría de las instantáneas fueron adquiridas «por el Gobierno y coleccionistas privados». No tenía constancia de que entidades de la Comunitat hubieran pujado por algunas de las imágenes.
Agustí Centelles salió a las calles a documentar el alzamiento militar que hubo en Barcelona el 19 de julio de 1936 realizando algunas de las fotografías más representativas de la Guerra Civil. Registró la salidas de las columnas de milicianos hacia el frente de Aragón. En 1937, fotografió el frente de Aragón realizando imágenes directas y dramáticas, con puntos de vista inusuales.
El bombardeo de Barcelona, Teruel conquistado para la República y un miliciano del Frente de Aragón fueron las tres imágenes por las que más se pujó. La última (3.500 euros) tenía un precio de salida de 900 euros.
La imagen de Teruel, que se vendió por 1.500 euros, tiene un texto manuscrito a lápiz al dorso: «La lucha ha sido cruentísima por las calles de Teruel. Dos soldados de la República disparan contra el seminario». Desde la casa de subastas catalana, apuntaron que hay una gran similitud entre esta imagen y la que realizó Robert Capa en 1936 en Madrid con el título de 'Lucha casa a casa'.
Algunas de las imágenes de Centelles, de las que el Gobierno ha comprado las más importante a sus herederos, «han devenido iconos de la historia de la fotografía y forman parte del imaginario de la Guerra Civil Española. Está considerado como uno de los pioneros del fotoperiodismo modermo», detalló Juan Naranjo.